The Circle of Fifths easily identifies relative keys. Relative keys are the major and minor scales that have the same key signatures, for example, D Major and B Minor (both keys have two sharps). But don’t worry, we’re here to help! We’re going to give you a complete guide to musical modulation, and hopefully, inspire you to try it in your compositions! Modulating to a Relative Key But with so many different ways to modulate, it can get a little confusing. In fact, I would be very surprised if they have ever been used at all.Have you ever heard an epic key change that made a pretty good song instantly legendary? Modulation ( the act or process of changing from one key to another) in music is always a pleasant surprise to listeners as well as an excellent tool for songwriters and musicians. They are certainly extremely rare in classical music. The descending melodic minor scales are the same as the natural minor.Īre they rarely or frequently used in classical music? G♭ melodic minor (ascending): G♭, A♭, B♭♭, C♭, D♭, E♭, F Furthermore, they are (on any 12-tone keyboard) enharmonically equivalent to B minor and F♯ minor, respectively, so there's really no point in using them.Ĭ♭ natural minor: C♭, D♭, E♭♭, F♭, G♭, A♭♭, B♭♭Ĭ♭ harmonic minor: C♭, D♭, E♭♭, F♭, G♭, A♭♭, B♭Ĭ♭ melodic minor (ascending): C♭, D♭, E♭♭, F♭, G♭, A♭, B♭ Theoretically, they can be said to exist, but since these keys are the relative minor keys of E♭♭ major and B♭♭ major, respectively, the key signatures involve double flats. Do the key signatures C-flat minor/G-flat minor exist?
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